Literary Nationalism and (Post)Colonialism in Latin America. A Show Case Study: Argentine, Martín Fierro, A Classical Epic?
Identifieur interne : 000C65 ( Main/Exploration ); précédent : 000C64; suivant : 000C66Literary Nationalism and (Post)Colonialism in Latin America. A Show Case Study: Argentine, Martín Fierro, A Classical Epic?
Auteurs : Nelson Gonz Amp Lez Ortega [Norvège]Source :
- Neohelicon [ 0324-4652 ] ; 2005.
English descriptors
- Teeft :
- Abrams, Aire, Argentina, Argentine, Argentine national identity, Argentinean, Avellaneda, Benedict anderson, Buenos, Buenos aire, Carrino, Classical epic, Colloquial language, Common reader, Contextual relation, Cultural study, Epic, Epic narration, Epic poem, Epic poetry, European liberal discourse, European romantic epic, European romanticism, Exaltation, Fierro, First part, Foundational, Foundational literature, Gauchesque, Gauchesque genre, Gauchesque literature, Gaucho, Gaucho fierro, Gaucho genre, Gaucho malo, Gaucho singer, General public, Genre, Gramsci, Irena nikolova, Jorge luis borges, Lament, Latin america, Latin american, Latin american intellectual, Latin american literature, Leopoldo, Literary character, Literary critic, Literary nationalism, Literary project, Literary representation, Literary term, Literary text, Literatura, Lugones, Lyric speaker, Lyric voice, Narrative poem, National identity, National literature, Nationalistic exaltation, Nationhood, Nelson ortega, Nikolova, Official concept, Official intellectual, Official interpretation, Ortega, Other kind, Other word, Pampas, Plata, Plata region, Poem fierro, Political nationalism, Popular song, Postcolonial, Postcolonial study, Postcolonialism, Real life, Ricardo, Ricardo rojas, Rojas, Romantic epic, Romantic imagination, Romanticism, Second part, Stanza, Strategic formation, Strategic location, Subaltern discourse, Textual evidence.
Abstract
Summary: The fact that poets, novelists, journalists, critics, and the general public of Latin America have embraced the interpretation of Martín Fierro as a work that defines Argentine national identity, has, in my opinion, diverted the attention of most critics from the real core of the analysis, which is that the very concepts of “literature,' “history,' “identity,' and “nationality' are and have been cultural constructions. The purpose of this essay is, then, to analyze Martín Fierro through the light of the theories of Benedict Anderson, Edward Said and Irena Nikolova in order to verify if the poem articulates the archetypical conventions (structure, theme, style) of the classical epic genre. And, departing from the results of that analysis, to examine how the textual and contextual relations between authorial ideology and European Romantic epic converge in the construction of the official concept of national literature in Argentine.
Url:
DOI: 10.1007/s11059-005-0018-7
Affiliations:
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The purpose of this essay is, then, to analyze Martín Fierro through the light of the theories of Benedict Anderson, Edward Said and Irena Nikolova in order to verify if the poem articulates the archetypical conventions (structure, theme, style) of the classical epic genre. And, departing from the results of that analysis, to examine how the textual and contextual relations between authorial ideology and European Romantic epic converge in the construction of the official concept of national literature in Argentine.</div></front></TEI><affiliations><list><country><li>Norvège</li></country></list><tree><country name="Norvège"><noRegion><name sortKey="Gonz Amp Lez Ortega, Nelson" sort="Gonz Amp Lez Ortega, Nelson" uniqKey="Gonz Amp Lez Ortega N" first="Nelson" last="Gonz Amp Lez Ortega">Nelson Gonz Amp Lez Ortega</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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